madeline gins poetrymsci world ticker

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Her writing here is schematic, yet requires that the reader not merely look at but also question the meanings of words; unlike Graham, Gins does not reduce words to their grammatical functions but rather encourages the reader to discover along with her what words will do, once they have been stripped bare of grammar. This is, after all, the affordance of a list: it provides structure and a kind of time, without resorting to the hierarchies of grammar-based sense.

Her way of “deal[ing] with” the displacement of her self by an influx of words was to write in the very space of delay and estrangement that reading and writing produce, to continue this delay, this interruption.

Madeline Gins, a poet, architect, and long-time collaborator with artist Arakawa, died this morning. She is largely remembered, with her husband Shusaku … Weiner was a friend of Gins’s, the author of clairvoyant poetry produced through the transcription of words she claimed appeared to her on various surfaces, including other people’s faces, as well as poems appropriating maritime code. While studying painting at the Brooklyn Museum Art School in 1962, Gins met Arakawa and she would become one of the primary interpreters of Arakawa’s work. Gins lived all her life in New York, much of it with Arakawa on a loft on Houston Street. They also cannot help but evoke the deductive logic of a philosophical syllogism, an effect exploited by Gins to produce a sense of possibility and entailment in the poems of “Trans-P,” something along the lines of, if “-1. All Rights reserved.Madeline Gins: Untitled, n.d., from the Reversible Destiny Foundation Archives. Poems by Madeline Gins.

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(Siglo) Madeline Gins was a New York-based writer, poet, and designer who died in 2014.

The Saddest Thing Is that I have Had to Use Words: A Madeline Gins ReaderA theme of interruption of the human organism by literature and philosophy, perhaps by Western culture writ large, perhaps by language itself, is present in the work of Madeline Gins, as well as two other artists who participated in the 1969 “Street Works” happenings with her in Manhattan, Adrian Piper and Hannah Weiner. You will see only what I see. Poet, philosopher, speculative architect and transdisciplinary artist, Madeline Gins is well known for her collaborations with her husband, the artist Arakawa, on the experimental architectural project Reversible Destiny, in which they sought to arrest mortality by transforming the built environment. Subscribe today and save up to 33%!Get our latest stories in the feed of your favorite networksWe want to hear from you! • Architecture and Philosophy: New Perspectives on the Work of Arakawa & Madeline Gins. Madeline Gins (1941-2014)was an American poet, writer and philosopher.

Marshall McLuhan’s catch phrase (“You may look at everything. She seemed truly not to aspire to any sort of fixed meaning—or, rather, to aspire to unfixing meaning—even as she was quite insistent that she wrote in the novel form. Weiner was concerned with communication across vast distances, how, as she wrote in an essay published in summer of 1969 in Gins, like Piper and Weiner, was exploring states of extreme influence, even possession, by literary language. She was 72. She grew up in Island Park, NY, and graduated from Barnard College in 1962 where she studied physics and philosophy. Lists are associative and sometimes freeing, playful. Madeline Gins typed—and wrote by hand, and sometimes drew—poems and other experimental scripts that preceded and intervened between her first two books, WORD RAIN (or a Discursive Introduction to the Intimate Philosophical Investigations of G,R,E,T,A, G,A,R,B,O, It … Madeline Gins: Untitled, published in the Street Works edition of 0 TO 9, 1969. Jean-Jacques Lecercle and Françoise Kral, Amsterdam: Rodopi, 2010 ISBN 978-90-420-3189-0.

Segue Series Reading at the Bowery Poetry Club, November 3, 2007.

There is nothing on it. Madeline Gins (1941–2014) was a poet, novelist, artist, philosopher, and speculative architect.

Madeline Gins (1941–2014) was a poet, novelist, artist, philosopher, and speculative architect. There is nothing in this sentence. Send us a tip using our anonymous form.Copyright © 2020 Penske Business Media, LLC. She was the author of three collections of hybrid writing and collaborated with her husband, Shūsaku Arakawa, on a theory of “procedural architecture,” an endeavor to create buildings and environments that would prevent human death.

I see a plate of desert ribbed with dunes held in place with drops of slime just above a layer of petrified tentacles. Cover of the book “The Saddest Thing is That I Have Had to Use Words: A Madeline Gins Reader,” 2020, Siglio Press.

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