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Rapper Cardi B has created an account on content subscription service OnlyFans for behind-the-scenes content from her ‘WAP’ video and other ‘personal stuff.’After fighting through what her friend Sia calls a “real breakdown,” a resilient Katy Perry is set to deliver her first child and a new album, “Smile.”Kirill Petrenko, new music director of the Berlin Philharmonic, at the Salzburg Festival. Berlin and Munich accommodate each other. Petrenko understood that an ode to joy is never without doubt.On this occasion, “Lulu,” which featured soprano Marlis Petersen, had a sad and sensual, but never sensational, quality. But artists adore him.BERLIN — There are standard-issue maestro activities that Kirill Petrenko — who has just ascended to one of classical music’s most storied posts: chief conductor of the Berlin Philharmonic — simply does not do.He does not give press interviews.
Rattle took over 17 years ago, his record label blanketed Berlin with “Welcome, Sir Simon!” posters. The orchestra recently started its own label, as well as a streaming platform, the Digital Concert Hall.But Mr. Petrenko is adapting. He has already allowed the orchestra to release his first recording with them, of Tchaikovsky’s Sixth Symphony, and he has embraced the Digital Concert Hall, even giving some interviews on it to his musicians. “I stood up, looking at what this boy was doing. He limits his conducting to Bucking the Instagram era of self-promotion, there was no image of him on the posters advertising the open-air performance of Beethoven’s Ninth Symphony that he led on Saturday evening at the Brandenburg Gate, drawing a crowd of 20,000 to inaugurate his tenure.“I prefer,” he explained affably at a news conference here in 2016, when he signed his contract, “to speak through my work on the podium.”Now, as he takes up the post — joining a pantheon including Wilhelm Furtwängler, Herbert von Karajan, Claudio Abbado and Simon Rattle — Mr. Petrenko, 47, is complicating discussions about the role of a modern conductor. The New York Times has dubbed him the anti-anti-maestro (does that make a maestro? Andreas Homoki, who was then its general director, invited the company of Strauss’s “Der Rosenkavalier” to a party on their day off before the final dress rehearsal.“He looked at me as if I was crazy,” Mr. Homoki said. But artists adore him. “Those are the things we really want to talk about.”“If I counted the number of times I’ve played the Ninth, is it 99 times?” Mr. Hunter said. Vasily Petrenko was born in Leningrad, USSR (now St. Petersburg, Russia), on July 7, 1976. Rattle — who had pushed the orchestra to modernize with ambitious outreach initiatives and daring programming — they initially failed to reach a consensus. This can seem dauntingly complex music, but Kopatchinskaja breathed new and unexpected life into every phrase. Mr. Bachler recalled asking Mr. Petrenko to consider releasing one on DVD.“He said, ‘Let me listen,’” Mr. Bachler recalled. That second sense kept building and building, without you quite realizing how and why, no matter the familiarity of the material. ).He shies away from interviews and is said to be truly shy, a rare and you would think undesirable trait for a conductor. For the Schoenberg concerto, written in the 1930s when the composer taught at UCLA, Petrenko gave up his ego to his inspired soloist. If the old school of forbidding, aloof maestros was succeeded by new generations of determinedly accessible “anti-maestros” who saw outreach of all kinds as central to their jobs, does that make Mr. Petrenko — with his focus on pure music-making “He is such a winning person, but so shy,” said Nikolaus Bachler, the general manager of the Bavarian State Opera in Munich, who gave Mr. Petrenko his first job more than two decades ago, at the Vienna Volksoper.
The ego issue is clearly complicated. When the State Opera, where Mr. Petrenko is finishing an acclaimed period as music director, wanted a portrait of him, it went with a video installation that showed only his hands, conducting Wagner’s “Götterdämmerung.”Behind the scenes, musicians adore working with him — the star tenor Jonas Kaufmann said there was nobody more reassuring in the pit when something went awry — but few seem to know him well.“I once forced him to drink a beer with me,” Mr. Kaufmann said. Kirill Petrenko has renewed his current contract as music director of the Bavarian State Opera by three years until 2021. This time, it was not the cosmos the listener was transported into but Schoenberg’s psyche, in which each fleeting thought, each neuron fired, proved a theatrical event.
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